Sir Charles Mackerras was born in the United States of Australian parents. He studied in Sydney and Prague and made his debut in opera at Sadler's Wells. From 1966 to 1969 he was first conductor with the Hamburg State Opera and from 1970 to 1977 he was musical director of Sadler's Wells (later English National Opera). Sir Charles is a specialist in the Czech repertory, notably Janácek, and has recorded a cycle of his operas with the Vienna Philharmonic. His recordings have won numerous awards throughout the world. Sir Charles has undertaken a great deal of research into performance practice of the 18th and 19th centuries and has recorded all the symphonies and serenades of Mozart with the Prague Chamber Orchestra.
Apart from his operatic and symphonic work with the major opera houses and orchestras in Europe, Sir Charles is a frequent visitor to the USA where he conducts at many of the leading opera houses. In May 1993 he took up the post of Principal Guest Conductor with the San Francisco Opera. Sir Charles also maintains a close connection with English National Opera.
In 1974 Sir Charles received a CBE and was knighted in 1979 for his services to music. In 1969 he was made an Hon RAM and in 1987 he was made a fellow of the Royal College of Music. He has received honorary doctorates from Hull and Nottingham Universities. Sir Charles Mackerras was appointed Principal Guest Conductor of the Royal Philharmonic Orchestra in February 1993.
The Royal Philharmonic Orchestra was founded in 1946 by Sir Thomas Beecham, who was the Music Director until his death in 1961. By handpicking the personnel of his Royal Philharmonic Orchestra, Sir Thomas attracted some of Britain's most outstanding musicians. Through its many concerts, recordings and broadcasts, the Royal Philharmonic Orchestra became internationally established as a virtuoso body quite unlike any other orchestra, founding a unique tradition in which there was a combination of discipline and flexibility, individual artistry, virtuosity and ensemble that stemmed from Beecham's relationship with his chosen players. This tradition subsequently attracted conductors of the greatest quality and diversity.
In 1961, after Sir Thomas's death, Rudolf Kempe became Music Director and established new artistic and professional directions for the Orchestra. It was also during this period, in 1963, that the Orchestra became a self-governing body. This has been the Royal Philharmonic Orchestra's form of constitution ever since; and in 1966 Her Majesty The Queen conferred the Royal title upon the Orchestra.
Following Rudolf Kempe, the Orchestra continued to attract some of the world's most outstanding conductors as Music Directors including Antal Dorati, Walter Weller, André Previn and Vladimir Ashkenazy. The Orchestra has also formed special associations with Lord Menuhin, Yuri Temirkanov and Sir Charles Mackerras. Since September 1996 the orchestra's Music Director has been the young Italian maestro, Daniele Gatti.
Sibelius (1865-1957) learned about and loved music and nature from an early age, and he grew to be an exceptional player of the violin he had been given on his fifteenth birthday. His family didn't approve of his desire for a career in music and composition though, and enrolled him in Helsinki University to study law. He also enrolled in the Helsinki Academy of Music, and with the later encouragement of an uncle moved over to it full time, composing a String Trio in A major and a String Quartet in A minor among others. He went on to study in Berlin and Vienna, but on his return to Finland, the country's nationalism (prompted by fears of its Soviet-controlled future) sparked an urge in Sibelius to use his music to express Finnish identity.
The Kaleva, a Finnish epic, inspired many of Sibelius' works. The first to bring him fame was a five-movement symphonic poem Kullervo (1892), followed by En Saga, the Karelia Suite, and his most well-known work, Finlandia. This last was banned by the Russian authorities because of its morale-boosting effect on the population. His First Symphony in E minor is a romantic work (owing a lot to Tchaikovsky), but the Second Symphony in D minor is more characteristic of Sibelius' technique of constructing movements from small 'cells' which expand and transform.
The tone poem Tapiola marked the end of Sibelius' composing career in 1926, though he lived until 1957. In his seven symphonies, orchestral, choral and chamber music, the Finnish country and native folk songs inspire a majestic and richly harmonic expression of proud national identity. Some of Sibelius' works also seem to portray a feeling of animosity, directed at the Russian dominance and restriction of his country.
Related composers: Tchaikovsky
The Second Symphony was sketched in 1901 while Sibelius was staying amidst the beautiful mountain scenary of Rapallo, Italy. The composer had been on an extended trip abroad from his native Finland, visiting Berlin and meeting Dvorak in Prague. Still, however, Sibelius yearned for his homeland and the Second Symphony bears witness to this homesickness. The ostinato passages and atmospheric string sounds used by Sibelius are often said to represent the Finnish wind. And the stirring finale, though far from sophisticated, must have raised the spirits of his countrymen labouring under the yoke of Russian oppression.